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Friday, May 18, 2012

Feature: Before and after revolution: AUC activities

Host: Nada Badawi
Interviews: Farah Yousry (via DAR http://dar.aucegypt.edu/handle/10526/2605) and Omar Ezzedin
Music: http://www.youtube.com/watch?v=BeEDQMLtyGY

Script:

(Background music, FADE IN)

After the January 25 Revolution in Egypt, a number of AUC students started activities to help rebuild the country. The revolution was also an opportunity for students engaged in clubs to host the events they wished for.

Few weeks after the eighteen days of the uprising, President Lisa Anderson enforced a freedom of expression policy. The policy was enforced to replace the very restrictive policies of the past.
Since then, AUC students were informed via e-mail that "all speech is now protected."

Editor in Chief of AUC's newspaper, The Caravan, Farah Yousry talks about her experience while working at the Model Arab League at AUC before the revolution.

                                                                                          Photo by: Nada Badawi
"We faced a lot of obstacles and sometimes the university would not allow a certain keynote speaker to come because he's politically controversial or may be the regime doesn't like him, so we don't want to get into trouble. The same time with the documentary when we were making a documentary when I asked one of the voice overs, he's a famous presenter, radio presenter, and i gave him the script and it had a lot of nuances and a lot of euphemism, political euphemism, that might get him into trouble as he thought so, he said "no I wouldn't say that." I had to change the script to cater for his willingness to say the script." (0:33)

Yousry states that now thanks to the revolution, Model Arab League is no longer facing the same restrictive policies.

President and founder of club organization Developers Inc. Omar Ezzedin says his club doesn't face any obstacles to host any controversial figures. However, he says he considers cultural boundaries when hosting events.

                                                                                          Photo by: Nada Badawi
"Well, the difficulties that I might be facing are not regarding policies of AUC. I mean I can get any speaker I want, I can promote any idea I want as long as its within certain boundaries, more of cultural and ethical boundaries that don't have to do with political boundaries." (0:20) 

Developers Inc. which started few months after the revolution, has been hosting controversial figures like Samira Ibrahim who was subjected to Egypt's virginity tests in March 2011.

Model Arab League on the other hand, hosted Ayman Nour in April 2011 although AUC's Office of Student Development disapproved the club's decision to invite him on campus as a keynote speaker.

Other student organizations are now more free to host any public events or figures even when it comes to entertainment.

(Background music, AMPLIFY, FADE OUT)



Wednesday, May 16, 2012

Man on the street: Presidential candidates cause controversy among Egyptians

Host: Nada Badawi
Producer: Lamees Hazem
Question asked: Who are you going to vote for in the presidential elections in Egypt? Why?
People interviewed: Ahmed Mohsen, Mona Abdel Monsef, Mohamed Magdi and Yara Abdallah
Music from megauplod.com (via Youtube): http://www.youtube.com/watch?v=V06n15kQzo0&feature=related
Link to the text of the audio: http://bit.ly/JI4ZxA
Link to the audio on Soundcloud: http://bit.ly/L1hhi0
Device used to record: M-Audio 

As Egyptians prepare to vote for their first presidential candidate, some remain confused about which of the twelve candidates they’ll vote for. 
The presidential candidates have caused controversy among Egyptians and political groups who are not sure who’s still affiliated to the old regime and who’s not.

The upcoming elections are considered the country’s first free and fair elections in the history of Egypt. They’re the first to be held after the January uprising. 




Monday, May 14, 2012

Final Audio Documentary: Revolutionary Rhythms in Egypt and the American University in Cairo

This is my final audio documentary project for JRMC460 on revolutionary music in Egypt and at the American University in Cairo (AUC).

I tackle my topic from an angle where I focus on how the revolution allowed for such kind of music to emerge in streets, homes and the American University in Cairo (AUC). I also discuss the struggle of some artists to perform their controversial music, and how some educational institutions such as AUC, act as a much more convenient venue for them to perform.

I interview Hazem Shaheen from music band Eskenderella.
Shaheen talks about his music experience in Tahrir Square and the threats his band faces.

My project also features Omar Ezzedine, AUC student who founded club organization Developers Inc. and has been hosting events featuring revolutionary singers at AUC. Ezzedine talks about reasons why revolutionary artists such as Shaheen and Ramy Essam should be holding concerts at AUC.

I additionally interview current Student Union President Ahmed Alaa Fayed who describes and explains AUC students' taste in music related to the revolution, and thanks the revolution for allowing AUC policies to change.

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Sunday, March 25, 2012

Radio Program (the rundown): Science & Technology



This is a radio program produced by myself and my classmates Lamees Hazem and Mariam Maher for the JRMC460 class at the American University in Cairo (AUC).
The program is two parts: a roundtable discussion and an interview.
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Host: Nada Badawi
Producers: Lamees Hazem and Mariam Maher
Guest interviewed: Egyptologist and AUC Prof. Salima Ikram
Music: Sleepless Nights (jamendo.com)
Topics covered in the roundtable: iPhone 5, Apple stores in Egypt and worldwide, dangers of technology, Facebook's new privacy policy and online advertising
Topic covered in the interview: The recently discovered cancer mummy known as M1

Behind the scenes...

Since this was the first time to produce a radio program with a group, I believe the overall result was not so bad. What went well the most was the research process and the interview. Being a host, I particularly enjoyed interviewing Egyptologist Salima Ikram. But because she was late for the interview and due to the fact that I had a class afterwards, I had to speed up a bit while interviewing her. However, I think it went smoothly and the questions were relevant to the topic discussed.

The roundtable discussion was nice. Me and the team were able to cover variety of topics and spoke about them in detail. We also mentioned experiences to share knowledge with the listeners, but the fact that there were only two mics was not helpful. I was using one mic the whole time. The producers also used one mic while recording the whole thing.

In general, I believe this was a good lesson and experience to learn from our mistakes for the upcoming news show.

Saturday, March 17, 2012

Listening Journal #2: Vegas's Hidden Tunnels

Title: "Sucked Into The Tunnels Beneath Las Vegas"
Narrator and producer: Adam Burke, 2008
Presented by: NPR's Day to Day, USA, 2010
Sound bites in the audio: Matthew O'Brien and workers Steve and Brian
Edited by: Jacob Conrad for NPR's Day to Day.
Duration: 8:32


Briefly describe the audio
Was it interesting or not?
  • Although the topic itself is a little boring, Burke still manages to describe things so well. This is evident when he first introduces the topic and uses beautiful nat sounds of slot machines and coins that make the listener much more able to visualize the atmosphere and the scenes he talks about. He talks about things that we can't see such as the "tourists," "cocktail waitresses" and "tiny outfits" all of which he uses to paint a full picture to the listener. 
  • In addition, he succeeds at interviewing people with good stories to tell, which help make his topic somewhat a little interesting, and this clearly shows when we start hearing about Matthew O'Brien, who happens to be an author and an expert about tunnels in Vegas. We also start hearing about two workers in the tunnel, Steve and Brian who also tell us interesting stories about their job experiences, the facilities they have access to and how they survive living in such conditions. 
  • Plus, O'Brien's description of the tunnels, events, people and the general atmosphere of Vegas underground give us proper account of what's happening there. His description, along with that of Burke's, is very detailed and sometimes informative to the listener, which helps in making the audio sound a little interesting than the topic itself. 
                                      Photo by: Nada Badawi
Audio quality and use of nat sounds
  • He uses nice nat sounds from Vegas's casinos at the beginning which make us imagine poker and blackjack tables, coins, slot machines and video games. He also uses words such as "gravel", "graffiti lettering" and "trickling water" which compliment his description of the place. 
  • At the beginning, the nat sounds are powerful making us feel that we're at Vegas already. However, they are not as exciting as I have imagined them to be especially that Burke talks about an interesting, entertaining place like Vegas. In addition, the nat sounds become repetitive and a little boring toward the end as all we get to hear is the echo coming from the tunnel as O'Brien speaks, the water inside the tunnel and few objects like the bucket. 
  • We also hear some nat sounds above the tunnels such as the nat sound of the parking area that Burke ends up talking about. 
  • In general, the nat sounds aren't at all distracting or getting in the way of the audio, but they're just not diverse and powerful enough. The production of the audio is of good quality. All in all, the audio sound is not distorted, nat sounds are clear and the narration and the delivery are all free of errors.
Quality of narrator's voice?
  • Burke's approach is interesting as he grabs the listener's attention to what he's talking about, especially when he says that there's an elevator that could "take you to more vice and excess upstairs." Generally interesting and a nicely descriptive documentary.
  • His narration is very pure and natural. He tries to be conversational and there are peaks and valleys in his voice and tone. At the beginning, he excites us when he says that you could go beyond what's familiar and move beyond the kitchen closets and luxurious lounges and instead see the "hidden matrix of tunnels." 
  • His narration is clean, clear and not distorted which is what matters at the end, because what he is saying is mainly what the listener is interested to know and hear about for the first time.
Writing quality of the narrator?
  • Initially, he doesn't tell us what's so special about the tunnel except that it's hidden and that almost no one knows about it. 
  • The only part where it gets interesting is the fact that there are some art galleries that O'Brien finds and talks about while he's touring us into the unknown, almost two minutes after he talks about the fact that there are tunnels and that there are storm rains. 
  • But Burke's writing quality in this audio is very nicely detailed, descriptive and helps the reader to easily visualize Vegas and the hidden tunnels. 
Was the documentary too long or too short?
  • The documentary wasn't too long or too short. The total length of the audio was OK. 
  • But because the topic and the nat sounds used were a little boring, I felt uninterested and that the documentary is a bit too long especially that there was nothing exciting to expect.
Does documentary end and begin strongly? why? why not?
  • It begins very strongly as Burke succeeds in painting a good colorful picture to the listener about Vegas and what is there and what to expect. 
  • But he ends his documentary very poorly as he says that people at Vegas will always be more interested to see Vegas rather than what's happening at the tunnels.

Wednesday, March 14, 2012

PROMO: Revolutionary Music in Egypt and at AUC

This is a promo assignment for my JRMC460 class to advertise for my final audio documentary on music after the January uprising in Egypt.




Cairokee band singing at AUC new campus, Spring 2012
      Photo by: Randa Ali


Script: 

Audio Documentary Promo
Heading: Revolutionary Music in Egypt and at AUC

Presenter: Nada Badawi 
Interviewee: Ahmed Alaa Fayed, The American University in Cairo's (AUC) Student Union president
Duration: 30 seconds

Cairokee band's music (Oud music, FADE IN)

SOUND BITE of Ahmed Alaa Fayed: 
"Simply they are trying to see what the people want to listen and want to see on campus and they try to get these bands here. Now is a revolution time, so let’s all concentrate on the revolution in all terms even when it comes to entertainment, we should be entertained through revolution related issues.

(Cairokee band's music, Oud music, FADE IN)

SOUND BITE of Nada Badawi: 
"Attend the listening session, at AUC's New Cairo campus on Sunday, May 14 and Wednesday May 16 at 10 a.m. each day in the BEC building, room 1060."

Cairokee band's music, Oud music (FADE OUT)


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Cairokee music: http://tahrirmusic.france24.com/index-ar.html

Link to promo on blog: http://bit.ly/wEwoju 
Link to promo on Soundcloud:  http://bit.ly/yd0GlQ



Interview segment - with Ahmed Alaa Fayed:



This post is an interview segment which is part of my final audio documentary for AUC's radio production course for class of Spring 2012. My topic basically explores revolutionary music after the January uprising and how entertainment activities have been affected at AUC's campus.

In this post, I interview Ahmed Alaa Fayed, AUC's Student Union president who talks about the SU's entertainment activities after the emergence of several music bands since the January 25 Revolution in Egypt.
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Interviewer and host: Nada Badawi
Interviewee: Ahmed Alaa Fayed, AUC's Student Union President 2011-2012 

Lead-in: Music has changed drastically after the January 25 Revolution in Egypt. In this interview segment, Student Union President, Ahmed Alaa Fayed, talks about how music and entertainment events at AUC have changed after the revolution. He also talks about how has it become easier for student organizations to host controversial, music artists on campus after the January's uprising.


Transcript: 


SOUNDBITE of Badawi:
"Throughout AUC’s history, there were regular entertainment events where student organizations hosted artists and singers like Mahmoud El-Esseily, Mohamed Hamaki, Amr Diab and many others. How have these entertainment events changed now after the January uprising? How has that changed?" (:31)

SOUNDBITE of Fayed:
Ahmed Alaa Fayed, AUC's Student Union president
"OK, I personally believe that after the revolution everyone is trying to adapt to what’s happening and trying to, as much as possible, to seek the maximum output and the maximum outreach any organization can reach. So simply they are trying to see what the people want to listen and want to see on campus and they try to get these bands here. For example, before the revolution, if anyone would have got like Eskenderella or any political band or whatever, no one would have showed up for the event, but now, everyone come and attend the event. On the other hand, in the past, when Esseily used to come, everyone used to come and see Esseily, but now when Esseily comes, no now it’s a revolution time. So that’s the point, now is a revolution time, so let’s all concentrate on the revolution in all terms even when it comes to entertainment, we should be entertained through revolution related issues. So,
that’s the issue right now and it’s something that’s happening throughout Egypt and it’s just reflecting on AUC on a very small scale. Now everyone is concerned with revolution, everyone is focusing more on the revolution, and how he, she or the organization itself can get the maximum output they can reach from the revolution and gain the maximum things they can reach out from the revolution and gain." (1:32)

SOUNDBITE of Badawi:
"Alright. You mentioned something about before, if we used to get these bands, if it were in our hands to get these bands before the revolution, no one would have been interested. But also we have this issue at AUC where when students used to hold student activities or events or forums that would host controversial figures or public figures that would, you know, create problems at the university because we used to talk about politics openly sometimes. Has that changed now? Is the Office of Student Development still restricting student activities in terms of who they can host, what events they can host and what kind of events that they can host? Are there any restrictions anymore after the revolution or has that changed?" (:34)

SOUNDBITE of Fayed: "OK, in the past as we go on, there have been some popular situations like *MAL when they invited Mr. Ayman Nour and the OSD refused. When Mr. Hisham Shafick tried to unite all the student unions in Egypt and create Egyptian student union and he failed because of the OSD and the state security. So simply the OSD was reflecting on what the State Security wanted to do. So simply the OSD was just a tool. After the revolution, the case is different. We were able, under this union, to hold the first Egyptian student union in 30 years here on AUC grounds. Actually we were also to invite whoever we want. So simply we’re getting more freedom, but this is because of the revolution, not because the OSD changed its perception. Actually the osd throughout history didn’t have any problems but the OSD itself tried as much as possible to avoid problems with, especially, the state security. (1:10)

SOUNDBITE of Badawi: "OK. After the revolution, President Lisa Anderson imposed a new policy, a freedom of expression policy related to music, content photography on campus. Do you think that has in a way, contributed to, you know, free events, having events without any restrictions, having events without any red lines, having events without any problems as you said. Did that really help in promoting a better freedom of expression policy on campus after the revolution or has that not changed much?" (:27)

SOUNDBITE of Fayed: "OK, I think this new freedom of expression policy was a very clear message showing that AUC has regained its sovereignty over its campus, and that we can do whatever we want on our campus as long as its not conflicting with any of our values, our AUC values. So, I think that was a message to all AUC community to show them that this is our campus right now and we can do whatever we want." (:33) 

Tuesday, March 6, 2012

Podcast #1: Girls of Riyadh


Book: Girls of Riyadh
Author: Rajaa Alsanea

Music1: Egyptian Mizmar at Wedding
Link - http://www.archive.org/details/EgyptianMizmarAtWedding
Music 2: Zaffet Al Arous, Salatin El Farab Orchestra  
Link - http://www.youtube.com/watch?v=mrM0X76r-Ds

                                                                     Fadi Gwanni


Excerpt:

One never knows who might be looking at the photos from the bride's or groom's side, and like any decent girl, Sadeem wouldn't want strange men to see her in an exposing evening dress and full makeup. She adjusted the veil on Gamrah's head and gave a tiny jiggle to the train after each step Gamrah took as her radar picked up fragments of conversation at nearby tables.

"Who's she?"
"Ma shaa Allah, * God willing, no envy touch her, she's so pretty!"
(*Ma shaa Allah is an Islamic phrase that one says in order not to jinx someone's luck.)
"The bride's sister?"
"They say she's an old friend." 
"She seems a good girl - since we arrived I've seen her running around taking care of all sorts of things - it looks like she's carrying the whole wedding on her shoulders."
"She's a good deal prettier than the bride. Can you believe it, I heard that Prophet Mohamed used to send up prayers for the unlovely ones!"
"God's blessings and peace be upon him. E wallah,* must be true, because I swear, the ugly ones seem to be in demand these days. Not us, what bad luck."
(*E wallah means swearing in God's name that something is true.)
"Is her blood pure? Her skin is so fair."
"Her father's mother was Syrian."
"Her name is Sadeem Al-Horaimli. Her mother's family is married into ours. If your son is serious, I can get you the details about her."


Sadeem had already been told that three ladies had asked about her since the wedding started. Now she heard numbers four and five with her own ears. Every time one of Gamrah's sisters came over to tell her that so-and-so had been asking questions, she murmured demurely, "May good health knock on her door."

It seemed to Sadeem as if Gamrah's marriage might indeed be "the first pearl to roll off the necklace," as Auntie Um Nuwayyir put it. Perhaps now the rest of the girls would be just as lucky. That is, if they followed the plan Auntie had concocted.

The strategy of yaaalla yaaalla, which means "get going, but just baaarely," is the most foolproof path to a quick marriage proposal in our conservative society. The idea is to be energetic and constrained at the same time, and after that you can be as foolish as you want.

Saturday, March 3, 2012

Nat sound, AUC HUSS



Log:

Moving cleaning machine on campus
Utensils clinking at salad bar place on campus - Saladero.
Staff working at Omda To Go (restaurant on campus)
Sound of footsteps (walking heels)
Door opening and closing.
Water fountain. 

Tuesday, February 14, 2012

I Believe in the Power of Photography






Growing up in a family that only cared about academics, I never really got to experiment things and discover my creative side. But a year ago, I was fascinated with the art of photography, particularly the kind of photography that tells you a story, the kind of stories that people would normally struggle to describe using only words. I believe in the power of photography.
It is true what they say, that a picture is really “worth a thousand words,” but what little did I know. Photography wasn’t easy.

I remember how my fascination with photography began during the January 25 Revolution in Egypt. I was inspired by various brilliant moving shots of Egyptian protesters. These images eventually went viral and kept spreading like wild fire. I still remember photos of Egyptian women chanting at the top of their lungs in front of the Egyptian policemen, the face of a 45-year-old Egyptian man who was crying during the first million man march in Tahrir Square. All astounding exceptional images that inspire me until today.





These pictures went viral because they were telling the truth; they were honest, creative and different. And for the first time, I felt Egyptians appreciated that, and so did I.
I felt like I was seeing a new Egypt, the Egypt I never saw before. The future looked great and bright, and I felt photography played a major role in delivering a different kind of truth to Egyptians, a photographic and documented one, and that was photography.

I was inspired. I was inspired to discover, experiment and explore. Egypt was no longer touristic pictures of the pyramids or the gorgeous beaches at Sharm El-Sheikh.

To me, photography was about discovering the unknown, and that was Egyptian faces and their freedom of expression, something which the world never really got to see about Egypt before the revolution. 

But my inspiration did not end there.

I signed up for a photography class in the summer of June, about five months after the revolution. I learned all about using a camera, adjusting the aperture, experimenting with the shutter speed and trying unusual angles to capture photos.  Boy was it tough!

And while I recall my struggle to hold a professional heavy DSLR camera for the first time in my life, I will never forget the feeling.  That rush, that excitement to go beyond the gates of my university and finally exploring what I was missing out on. I went as far as Tahrir Square, Zamalek’s graffiti streets, Maadi, Azhar Park, Cairo Tower, Khan El-Khalili and Fayoum. 





I will never forget the images I captured of a poor Egyptian family that worked on a farm in Orabi.

Their facial expressions and features were priceless and simple. Anyone could tell that they were a kind family. They welcomed me in their humble home, and I specifically remember how they did not have a single family portrait in their house. It was depressing, but they were thrilled the day I knocked on their door and asked to take a family portrait of them that they dressed up for the occasion. 



I was touched, and realized the significance of photography in one’s life. It wasn’t just about the truth to me anymore, but about what the picture meant to me and to a greater extent, to the person looking at it.

It was an experience worthwhile. It was unforgettable, memorable and carved in my memory forever. It was the power of photography, something new that I believed in.
This I believe.




Tuesday, February 7, 2012

Journal #1: World Vision Report


The Food That Fed a Revolution
Length: 4:41
Reporter: Assia Boundaoui
Hosts: Rachel Snyder and Beverly Abel

World Vision Report’s audio feature, “The Food That Fed a Revolution,” mainly looks at an interesting, staple Egyptian dish called, Koushary, which was best served by Abu Tarek’s restaurant during the January 25 Revolution.

The feature mainly explores how, despite the fact that the January 25 Revolution prompted many restaurants to shut down due to lack of security and stability at the time, the only source of food Egyptians survived on was that one only dish, Koushary, and the best restaurant that served it nearby to Tahrir Square, the epicenter of the revolution, was Abu Tarek’s great restaurant.

The audio, 4:41 minutes long, first begins as two hosts, Rachel Snyder and Beverly Abel, describe Tahrir Square very briefly, yet they add some colour to this bustling place saying that it continued to occupy thousands and thousands of people every day where people were “sleeping there, praying there and eating there.”

Reporter Assia Boundaoui then begins the audio feature as we start hearing nat sounds of Abu Tarek’s restaurant, where you can hear plates and utensils clicking together in the background, creating a visual image in our head that the restaurant is busy and seemingly, full of people.

But Boundaoui grabs the attention of the listener as she gives us the feeling that Tahrir was more than just a square, that it was a significant place that had a great impact on the Arab World and not just Egypt, and that Koushary was just as significant as it was part of Egyptians’ daily revolutionary meal. This is evident as she says: “Abu Tarek’s restaurant is just down the street from Tahrir Square, ground zero for the protests that have swept through the Arab World, and there’s only one item on the menu: Koushary.”

Her description of Koushary is very catchy, and gives us an essence of how it is significant to Egyptians, especially that she describes it as “Akla Sha’bya,” an Arabic expression that she translates to “the food of the people.”

Not only is her narrative catchy and attractive, but it gets even better when she goes into further detail of describing the dish as she begins mentioning those ingredients that make the Koushary what it is. She describes and mentions ingredients like “layers of pasta, rice and lentils, are topped off with fried onions and tomato sauce,” creating a vividly visual picture of a dish that she succeeds in making sound so delicious as she describes what it consists of.

What remains interesting throughout her audio piece was her interview with one of the restaurant’s chefs, Omar Araby, who helps us know different things about the Koushary, such as who consumes it and how it’s prepared, for example.

In addition, she provides us with background information about Abu Tarek’s restaurant, and how it grew bigger and bigger over the years from being a “simple food stand” into a busy, crowded restaurant filled with regular, loyal customers all the time, even during the time of the revolution.

This all gives us a sense of how unique this dish is, in terms of its ingredients and its cultural value, not only to Egyptians, young and old, but to foreigners from all over the world.

But when looking at the nat sounds, we obviously notice how they don’t really change from the very beginning of the audio till the end, making Boundaoui’s audio sound effects repetitive and boring as she keeps talking for 4:41 minutes.

And may be part of the reason why her feature becomes a bit dull and boring, is perhaps because it is a little too long. I don’t think it was necessary for Boundaoui to talk about Koushary in what was close to 5 minutes. She could have used less time.

But that wasn’t the only problem.

Although her narrative skills and description of the Koushary remain exceptional, the overall production quality is quite terrible.    

Boundaoui’s voice sounds a bit muffled, too soft and low in contrast to the very distracting nat sound that she had used, i.e. the clicking of plates and utensils at the restaurant which all appeared in the background.
Her nat sounds become a little distracting as she speaks about Koushary and Abu Tarek’s restaurant, and this is true because the nat sound is louder than her voice that it becomes hard for the listener to try to focus on what she’s saying while attempting to block the “noise” sound effect that she used in her feature.

Not only that, but her voice and that of the chef’s for instance, don’t really seem to make a good balance in terms of the volume and tone. So she appears to be talking very softly, and suddenly, when the chef starts to talk, his voice becomes so loud compared to hers.

Despite the low quality voice of the narrator and the quality production problems in this feature, the audio feature was still interesting to listen to. It was interesting to know what was so special about this dish, what it consisted of and how it was prepared, and why, of all foods that could have been consumed during the revolution, this was the only meal that Egyptians ate.

However, I think I would have loved to hear a little bit of a historical background about the dish, for instance: when did Egyptians start eating Koushary, or for how long have they been eating that meal.

I believe that if Boundaoui’s feature was shortened, sound volume was fixed and nat sounds were different throughout the audio, then the overall production quality would have made this feature perfect in terms of delivery, production and basic sound effects. 

Sunday, May 15, 2011

Presidential Candidate Amr Moussa Visits AUC

This article was first published on Sunday, May 15th, 2011 in The Caravan , The American University in Cario's student produced newspaper.

As Egypt embarks on a new chapter in its history, many anticipate the first free and fair presidential election will mark the success of the country’s transition to democracy. The surge of political activism, newly formed parties, and onetime opposition leaders turned presidential candidates, has brought to life Egypt’s once paralyzed political scene.



Amr Moussa, former Minister of Foreign Affairs and Arab League Secretary-General, described the Egyptian revolution as a “wake-up call” that finally allowed Egyptians to experience some degree of democracy.

Moussa was invited to AUC on April 9 by the Leadership for Education and Development Program (LEAD) to be a guest speaker for their “Political Awareness Campaign.”

He criticized the imperfections present in Egypt’s political and financial systems, culminating in administrative and financial corruption that did not spare any city or governorate  in Egypt.

This extensive corruption held back Egypt’s political and economic development; removing the corruptive impact is possible though the amendment of laws.

“I believe that it is the main responsibility of Egypt’s future president to review and modify current laws in the country for the sake of getting rid of corruption,” he said.

Moussa explained that the present Egyptian laws are the cause of decline in Egypt’s development, and the instigation of injustice amongst Egyptians.

Of suggested solutions to enable economic recovery after the January 25 revolution, a free economy was one.

According to Moussa, a free economy is what the Egyptian people need at this critical time.

Moussa’s plan comprised of reviving small-business and local projects that are often run by craftsmen and artisans, who barely make a living in today’s Egypt.

“It is vital to promote local businesses that are run by creative craftsmen so that we can limit unemployment. It is also important to devote all our resources to fight poverty which plagues 50% of the population,” Moussa said.

Moussa touched on the possibility of an agreement between Egypt, North America, Asian, and European Union (E.U) countries to invest money in Egypt’s stock exchange market and tourism.

He predicted the success of such a potential agreement, emphasizing Egypt’s leading role in shaping world politics and economies.

An audience member asked Moussa a question about the Arab League’s passivity towards the Israeli-Palestinian conflict. Moussa replied, “This is not true! The Arab League served the Palestinian cause with so much care. I advise all students to read more about the Arab League before criticizing it.”

As for the upcoming presidential elections in Egypt, Moussa urged all political parties, presidential candidates, the youth coalition and the presidential council to hold a forum to discuss a new constitution that represents all Egyptians, hence, cord national agreement.

He said that all parties must put at the forefront solutions for Egypt’s current problems, and encouraged cooperation and compromise.

Moussa additionally discussed the current situation in Libya,  Egypt’s gas export agreement with Israel, and his ties to the old Egyptian regime.

Moussa is an Egyptian diplomat who began his political career in 1957. He served as Egyptian Minister of Foreign Affairs from 1991 to 2001.

In an embrace of this new phase of political freedom, the AUC community welcomed several candidates on its campuses to present their presidential plans. The events were hosted by the Cairo International Model Arab League (CIMAL), in a series called “Al Shaab Yureed an Ya’raf Al Ra’es” [The People Need to Know the President], while Amr Moussa was invited by the Leadership for Education and Development Program (LEAD).